Imagine “Die Hard” as told from the point of view of one of the terrified office workers huddled under her desk while angry Germans hold Nakatomi Plaza hostage. That fundamental shift of perspective, which redirects the audience’s focus from a gung-ho action hero trying to save the day to a relatively unexceptional victim on the sidelines, drives “(Spy)ies” helmer Nicolas Saada’s sophomore feature, “Taj Mahal,” a genre-upending non-thriller inspired by the 2008 Mumbai attacks in which we spend the entire movie trapped in a hotel room with a panic-stricken teenager. Neither as psychological nor as cinematic as its ambitious concept suggests, the film could nevertheless stir up some reasonable arthouse interest following its Venice and Telluride festival launches.
Whether or not the exercise succeeds essentially boils down to how interesting audiences find 18-year-old Louise, a privileged Franco-English photography student played by “Nymphomaniac” star Stacy Martin. The actress, who is both strikingly beautiful and convincingly brittle in the role, shrewdly follows her scandalous bigscreen debut with an entirely different sort of challenge — one that depends not upon exposing her body, but revealing what’s going on behind her big doe eyes. Except that Martin looks so blank at times that we don’t know whether she’s afraid for her life or simply craving a Big Mac.
Reluctantly dragged along for a trip to Mumbai by her French businessman father (Louis-Do de Lencquesaing) and bilingual mother (Gina McKee), Louise is practically blase at first. As is the director, whose unhurriedly errant script prefers not to anticipate the imminent terrorist attack, making no concessions to suspense as Louise and her parents leisurely fly to India, take in the sights and settle into the inexplicably sumptuous suite in the pic’s eponymous hotel, the Taj Mahal.
As Saada serves up handheld glimpses of the city, following the family’s peregrinations through its busy streets and crowded bazaars, one can feel the ragged neorealist influence of recent Middle East-set pics. (To cite one example, the helmer’s style comes across as a less caffeinated version of the jagged immersion Michael Winterbottom provided in “A Mighty Heart.”) But it lacks urgency, both in the setup and even later, when the Lashkar-e-Taiba terrorists are at Louise’s door.
One night, while her parents cab it across town, Louise opts to stay in and watch “Hiroshima mon amour” on her laptop — a sign that the young lady may in fact have more going on upstairs than Martin’s performance lets on, though the detail seems almost laughable in context. The disc skips, and Louise sulks. A moment later, a series of loud noises (explosions?) erupt offscreen. In time, we learn (but see only in archival news footage of the actual incident) how a squad of Islamic militants systematically went from room to room, executing the infidels they found on each level.
While shortchanging the visuals, Saada worked closely with his sound team to create the impression that an unpredictable attack was unfolding behind the inadequately reinforced doors of Louise’s hotel room. The camera watches her increasingly frazzled reaction as muffled explosions, gunfire and screams reach her ears. Louise is slow to react, which is understandable enough, although her adolescent lethargy falls short of the spontaneous, adrenaline-rush response audiences have been conditioned to expect from other disaster movies.
Compared with “Argo’s” white-knuckle opening or the relatively intense siege depicted in “Hotel Rwanda,” “Taj Mahal” feels practically inert. It’s clear that Saada hasn’t solved the dramatic needs of his own scenario, and he’s partly limited by the facts, considering that he decided to model his script on the experience of an actual survivor. Even so, the film grows almost tedious as Louise alternates between cowering in the bathroom and hiding under the bed, relying on her newly purchased cell phone to maintain almost constant contact with her father, who doesn’t seem nearly worried enough by the situation. Later, the appearance of other characters — most notably a honeymooning Italian woman (Alba Rohrwacher) whose husband fell to the pavement trying to seek help — suggests that nearly any of the hotel’s other guests might have been more fascinating to follow.
Naturally, the film’s claustrophobic, practically real-time approach encourages audiences to consider how they might react under similar circumstances. A neon sign glimpsed on Mumbai’s streets, which quotes the opening line of Rudyard Kipling’s poem “If,” effectively sums up the pic’s philosophy: “If you can keep your head when all about you are losing theirs.” Fine, but who wants to watch a terrorist attack re-creation whose pulse never races? By locking us in with Louise, Saada takes a potentially explosive situation and delivers a dud.
Taj Mahal: An Eternal Love Story is a 2005 Bollywoodhistorical drama film directed by Akbar Khan. The movie starred Kabir Bedi, Sonya Jehan, Manisha Koirala, Arbaaz Khan, Vaquar Shaikh and Pooja Batra in the title roles. The movie was released on 18 November in India.[5][6]
Music was composed by the legend of Indian film music Naushad Ali. This was the last work of Naushad Ali who died on 5 May 2006.
It was the most expensive Indian film at the time, surpassing the budget of Devdas (2002) and costing more than ₹500 million[1][7] ($11.34 million).[8] The film was released in Pakistan by Eveready Pictures and did record business at the box office.[9] However, the film was a financial failure in India, where it grossed only ₹210 million, bringing its worldwide gross to ₹311 million[4] ($7.1 million).[8]
Plot[edit]
The story begins with Shah Jahan, known as Prince Khurram (Zulfikar Sayed) when he is about 19 years old. Khurram was Emperor Jahangir's (Arbaaz Ali) favourite son, whom Jahangir wanted to be the future Emperor of India, along with his wife Nur Jahan (Pooja Batra), who was well aware of this fact. Noor Jahan was married once previously, but when her first husband died, Jahangir married her. Ladli Begum (Kim Sharma) is Noor Jahan's daughter from her first marriage. Noor Jahan is a shrewd lady, who wants the best for herself and her daughter and she aspires for Ladli Begum to marry Prince Khurram so she that she will become the Empress of the Mughal Dynasty.
Khurram's passion for hunting leads him into a jungle, and one day while hunting he meets Arjumand Bano. Their meeting was love at first sight, with Khurram attracted to Arjumand Bano's innocence and beauty while Arjumand was impressed by Khurram's great personality. Arjumand Bano is Asaf Khan's (Aly Khan) daughter, Empress Noor Jahan's brother. Khurram and Bano again meet at the Meena Bazaar, where finally both of them declare their love for each other. Ladli Begum comes to know about their love, but she keeps on wooing Prince Khurram. Noor Jahan sees this love as a hindrance to her plans of making her daughter the future Empress of India and she succeeds in turning Emperor Jahangir against his own son, Khurram.
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Noor Jahan sends her secret lover and the warrior Mahabat Khan (Milind Gunaji) to fight Khurram and to kill Arjumand Bano. As a result, a war takes place in which forces are also sent by Emperor Jahangir against Khurram. When Khurram meets Jahangir, he declares that Arjumand Bano was more superior to him than the Mughal Dynasty. As a result, relations become even more bitter between the father and the son. However, Arjumand Bano, who was a peace-loving person, agreed to forget Khurram and asked him to marry Kandahari Begum (Negar Khan), an Iranian Princess, who was chosen by Emperor Jahangir for Khurram. Khurram, due to Arjumand's insistence, marries Kandahari Begum while on the other hand, Ladli Begum marries to Khurram's brother. After Emperor Jahangir dies, Khurram becomes Prince Shah Jahan and ruler of the Mughal dynasty. He finally marries the love of his life, Arjumand Bano, who becomes Mumtaz Mahal. The couple lives happily for a while until misfortune occurs.
Khurram must leave for war, but a pregnant Aarjumand chooses to also go with him, as she used to accompany Shah Jahan in all his battles. Khurram tries to return to the camp from the battle but takes a long time to return as he forgets his way. While he is lost, Mumtaz Mahal dies while giving birth to her nineteenth child. During her last breath, Mumtaz Mahal asks Shah Jahan to construct her tomb in a beautiful mausoleum, describing one which would be so beautiful it would express their love for each other to all who visit the mausoleum. Mumtaz's death is the greatest tragedy for Shah Jahan, and as a result, he becomes a completely reformed person. Shah Jahan then starts off to fulfill his wife's last wish, to build Taj Mahal, a beautiful mausoleum to honour the also beautiful Mumtaz Mahal. The Taj Mahal goes on to become the Seventh Wonder of the World.
Time passes, and in future Shah Jahan's sons and daughter grow up. The sons are greedy and eager to inherit their father powers, and as a result, they imprison him in a room from where he can easily see Taj Mahal. Tekken 7 game free download for pc. He watches his sons fighting against each other to become the Emperor of India and the Mughal Dynasty. Everywhere around him there is violence and warfare, with the beheading of slaves and even brothers are no longer uncommon. In the end, Khurram dies while looking at Taj Mahal, the Taj Mahal that took an astonishing 22 years to be made, a tribute showing Shah Jahan as the greatest lover of all time. At his death, his body is laid down next to his love, hence resulting in the culmination of their love after death.[10]
Cast[edit]
Music[edit]
Taj Mahal: An Eternal Love Story was the last work of renowned musician Naushad Ali, who died on 5 May 2006. The audio was formally released at a gala event in Mumbai at ITC Grand Central Sheraton & Towers, Parel on 16 March 2005 by Times Music in tandem with the home label Mashreq Music. The album had some classy songs composed by the maestro that encapsulates the Mughal era. The soundtrack album consists 8 songs, featuring vocals by Hariharan, Kavita Krishnamurthy, Preeti Uttam and Ajoy Chakraborty, and an instrumental theme. A special edition Double CD, consisting of the soundtrack album and 9 instrumental pieces that were used as the background score in the movie was also released. This was the first time in India that the background score of a film was released simultaneously with the music release. The lyrics were penned by Naqsh Lyallpuri and Syed Gulrez Rashid. The background score was the major highlight of the film.
The album received excellent reviews from critics. The director of the film Akbar Khan quoted, 'My film's music needed either a Tansen, a Beethoven or a Naushad..I was only left with the last choice! With the power of his spell bounding music, Naushad has managed to recreate the magic of the bygone era, perfectly complimenting the mood of the film. The music does not touch the eardrum & bounces back, but penetrates and lives in the soul of people.' The note by Naushad about this work was 'I have composed the music of Taj Mahal – an eternal love story after a long gap. In my opinion, Taj Mahal, the film created by Akbar Khan is made out of sheer love, passion and dedication and he has managed to completely absorb the essence of Mughal history with an in depth knowledge of every character. I have seen the film and can confidently say that Akbar Khan has left no stone unturned in making this epic saga and has narrated history in a very simplistic manner. I am sure the film will appeal greatly to cinema lovers. With respect to the music of Taj Mahal – an eternal love story, I have strived to deliver the kind of music that Akbar Khan had in mind, melody being the chief focus. I sincerely hope that I have not let him down and that the music is liked by music aficionados. I have composed music for other films of the mughal era including Shah Jehan, Baiju Bawra and Mughal e Azam but each film requires different treatment depending on the situation, environment, characters, theme etc, hence I refuse to be drawn into comparisons. I trust I have been able to do justice to the brief given to me by Akbar Khan for his film. I must use this occasion to also complement Times Music in taking the commendable step of releasing the background score that I have created at the same time in a separate CD along with the music of the film the two go very much hand in hand. It is equally important to promote the background score of a film which is in fact much more difficult to compose as compared to the music score. Lastly, with every new composition, it still feels that I have just begun and there is a lot more to achieve..'
Box office[edit]
The film was pulled away from cinemas in just the second week in India because producer-director Akbar Khan felt that the distributor Mukta Arts had badly sabotaged the film and sold it very callously throughout India. Proper shows weren't allocated to the film due to which the film couldn't earn good collections. Akbar said that his film was marketed very poorly with a lot of people not even knowing about the film's release.
See also[edit]References[edit]
External links[edit]
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Taj_Mahal:_An_Eternal_Love_Story&oldid=895188514'
Taj Mahal is a 2015 French-Belgian thriller-drama film written and directed by Nicolas Saada [fr]. It was screened in the Horizons section at the 72nd edition of the Venice Film Festival.[2] The story of the film makes explicit reference to the 2008 Mumbai attacks which have concerned The Taj Mahal Palace Hotel.[1][2][3]
Taj Mahal Movie 2015 TrailerPlot[edit]Taj Mahal Today
The French film Taj Mahal is about The Taj Mahal Palace and Tower Hotel in Mumbai near the Gateway of India. It was one of the sites of the 26/11 Terrorist Attacks in Mumbai 2008. There are various Documentaries and Films made on the 26/11 Mumbai Terrorist Attack. The movie of Ram Gopal VermaThe Attacks of 26/11 which was also based on the Mumbai Attacks was released on 1 March 2013 in India. This Movie is Made by Frenchman Nicolas Saada, Which was Released in Venice Film Festival 2015. It tells the story of a teenager, played by Stacy Martin, who has come to Mumbai with her Parents & is staying at the Taj Hotel. She is trapped when the terrorists attack the hotel and her parents are out for dinner.
Cast[edit]
References[edit]
External links[edit]
Taj Mahal Movie 2015 Ending
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Taj_Mahal_(2015_film)&oldid=898138374'
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