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The actor/rapper has sold a comedy series, 'Atlanta,' focused on the music biz in his hometown, to FX.
In mid-October, Donald Glover worried fans and observers with a series of Instagram photos of handwritten notes that outlined his various fears. 'I'm afraid of the future,' the first read. But for the actor/comedy writer/rapper, who releases music under the name Childish Gambino, it wasn't a cry for help–it was one for honesty.
Childish Gambino Because The Internet Vinyl
'People think I'm depressed, but I'm just being real with myself and with everybody,' Gambino says. 'A good percentage of my day was spent making people feel comfortable, and the music that goes with this story isn't necessarily comfortable. I feel like I don't have the time to make people comfortable.'
The music in question is off Gambino's new album, 'because the internet,' out Dec. 10 through Glassnote. The LP, a bizarrely compelling collection of songs that veers from caustic rap numbers to emotive, largely instrumental ballads, follows his 2011 Glassnote debut, 'Camp,' which bowed at No. 11 on the Billboard 200 and No. 2 on Rap Albums, and has moved 242,000 units to date, according to Nielsen SoundScan. Before 'Camp,' and the critical acclaim and touring that accompanied it, many thought Gambino's rap career was some sort of joke: He first gained fame on small-screen sitcoms, writing for '30 Rock' and starring on 'Community.'
But proving skeptics wrong didn't make Gambino feel any more accepted when he began working on 'because the internet' last Christmas. 'I felt very alone,' he says. In the spring, Gambino settled into a rented house in the wealthy Los Angeles neighborhood of Pacific Palisades, regularly welcoming a wide array of musicians, producers and artists to collaborate. 'I wanted to be with real people. We had just finished touring Australia and I didn't want to go back home, so instead I went somewhere that was totally different from what I'm used to. I didn't want to make another album, really–I wanted to create a world.'
The album, helmed by Gambino and a variety of producers, is very much about the fears he expressed on Instagram and how the Internet has disconnected people. Gambino sees his music as a way to counteract that-which is one reason he recently left his role on 'Community' behind. Free download lagu rohani indonesia.
'I feel like I have to inspire people,' Gambino says. 'If I'd just stayed on 'Community' I don't know if that would ever happen.'
The musician's leave from TV is only temporary: He recently sold a comedy series tentatively titled 'Atlanta,' focused on the music biz in Gambino's hometown, to FX, and is in the process of writing it. However, unlike with 'Camp,' Gambino is devoting a sizeable amount of time to promoting 'because the internet.' The album will be accompanied by a screenplay Gambino penned, although he's not sure whether it will be a physical document or if it will only be available online. In August, he released a Tumblr-inspired film online called 'Clapping for the Wrong Reasons,' which he says gives 'context' to what he's doing now. Gambino has weekend tour dates, mostly college shows, scheduled through the winter. He's also featured on Def Jam singer Jhené Aiko's recent single 'Bed Peace' and its video. His newfound availability means that Glassnote can more fully push the album to its potential. 'We didn't have him last time,' Glassnote founder Daniel Glass says. 'It was a struggle with him leaving us to go tape six days a week on 'Community.' It was very tough in the middle of an album. He's done with 'Community,' which is a terrific show-but it's great to have him so committed.'
Because The Internet Vinyl With Screenplay
The label has unveiled two songs off the album so far-emotive street track 'Centipede' and the playful '3005'-and plans to drop a video for the latter and at least one more track before the album streets. Much of the marketing plan comes directly from Gambino, who recently held impromptu album listening parties for fans in Toronto and New York. He and the label say that they'll be unveiling more unique fan 'experiences' leading up to the release.
'What you've already seen from him is just the beginning,' Glassnote marketing/project manager Rachel Stoewer says. 'If you pay attention to the details, there's a beginning of a story happening. His fans are the ones who are really reacting and understanding that.'
But Gambino says he's just responding to fan feedback on the fly. 'I have a bunch of stuff planned, but the audience has as much control over it as I do,' he says. 'I don't know what I'm doing. People think I have some master plan but I don't have any answers. I'm just trying to stay honest and do some dope shit on my way there.'
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Having left his full-time role on the hit comedy Community to concentrate on music, rapper Donald Glover aka Childish Gambino gets broader and bolder on his 2013 effort Because the Internet, an indulgent kaleidoscope of studio tricks and celebrity problems that's still wildly attractive thanks to its smarts and ability to swing. That latter bit comes courtesy of primary producers Glover and Ludwig Goransson, who mix the edgy sounds of indie rap and indie pop with the best the mainstream world of R&B has to offer. Cool, radio-friendly crooner Lloyd shows up on the creamy West Coast dream called 'Telegraph Ave.,' while '3005' comes with a chorus so uplifting and bright, it makes the nerdy stay-at-home wallflower at its center sound epic and sexy. The booming influence of the A$AP Mob is felt on numerous cloudy cuts like the grand 'Worldstar,' where popping pills at Coachella, a Martin Scorsese reference, and a twisted sax solo all congeal into a dank glop of hip-hop hash oil. Then there are all the instrumental interludes that divide the album into chapters or suites, because this one reaches for art with some interruptions for getting flashy on 'The Worst Guys' (where Chance the Rapper is merely Chance the Hypeman) and crashing on the couch for either a spliff, or maybe spliff and a sweet snuggle, with Jhené Aiko's 'Pink Toes.' All of it flows splendidly and Gambino's wit, hipness, and lyrical dexterity are all still strong points, with 'I got more tail than Petco,' 'More green than my Whole Foods/And I'm too Fly, Jeff Goldblum,' plus a reference to the 'Ain't Nobody Got Time for That' meme being some examples. Still, even with all these strong points, Gambino often frames his angst and anger with the burden of being born rich (something he mentions quite often on the album), providing plenty of 'we should all have such problems' bait or 'hierarchy of needs' ammunition, depending on the listener's viewpoint/bank account. Even the short 'The Party' finds him inviting friends over and then yelling at them to get the 'F' out, but there's long been a wide gap between the life experience of rappers and their fans, something supported by the growling background vocals on 'Crawl' provided by Mystikal, an MC who did plenty of hard time when most of his fans have not. Connecting with the album is nearly impossible, understanding it is difficult, and often enough, its inflated ego is irksome, but Because the Internet is too free and fascinating to be dragged down by these complaints, so if a Yeezus with more flash and fun is what's required, Gambino's got the good stuff.
RAP GENIUS NOTE: We suggest you first read this script on becausetheinter.net for the full authentic experience. This page is a tool for further exploration after the initial reading
Sdfg-FGSD: CODE: 12.10.13SIXTY NOTE TO READER: The prelude to this screenplay ('clapping for the wrong reasons') is available on the website youtube for free consumption. It may or may not give CONTEXT TO this work you're reading SECOND NOTE TO READER: The visuals have no sound. They are meant to be played while the song is playing [VISUAL] You can't live your life on a bus.. EXT. CHURCH PARKING LOT - DAY A white bus opens its door and a flood of children run off laughing and screaming. After the initial burst, three girls get off laughing. After them, A LITTLE BOY steps off. He's walking slow and somber All the parents in the parking lot are hugging and kissing their kids. Lots of kids are laughing. The Boy keeps walking until he reaches a black limousine parked at the far end A chauffeur (old heavyset white guy) stands holding the door open waiting for The Boy CHAUFFEUR: Ey! Look who it is He holds out his hand for a high-five. The kid jumps, hi-fives him, and slides into the limo The Boy's FATHER (Rick Ross) is sitting by the far door. The limo starts off The Boy and his father sit in silence for what feels like 8 hours FATHER: How was camp? The Boy 'shrugs' FATHER (CONT'D): You make any friends? THE BOY: No The father laughs under his breath..but the laugh turns into a smh FATHER: Elise made you something special tonight THE BOY: Frito pie FATHER: I don't know. She didn't say- THE BOY (cutting him off): It's Frito pie Silence. Father stares at him, then looks out the window EXT. MANSION - DAY The Chauffeur helps Father out the car. The Boy jumps out and walks toward the front of his home. The Mansion is dope. Very Big, and not gaudy. It looks classic INT. MANSION - DAY An infinity pool lines the horizon in the backyard. A spiral staircase fades up the wall and into the master bedroom upstairs. You can see all of this from the foyer, which has a large Buddha statue in the center of it. The place is very clean. Someone seems to care or is paid to care The Father's phone rings: FATHER: Hello PHONE VOICE: Hello, this is the Califax collection- Father hangs up. His cell phone goes off The Boy walks into the kitchen. It's a big kitchen. There's a chef making food. He waves to The Boy. The Boy throws up a deuce. He gets a s'more Pop tart,then walks back out INT. BOY'S ROOM - DAY The Boy walks in and drops his backpack and jacket in the doorway. He kicks off his shoes. They fly across the room, hit the wall, and fall in a pile of shoes on the ground. We see there's a big black/brown stain on the wall where The Boy's been kicking shoes for years. Doesn't look like he ever wears the same shoe twice The Boy rips the bag of pop tarts open with his mouth as he sits at his desk and opens his laptop. There's a picture of a woman holding a child. She's wearing one of those fly tracksuits from 1995. The ones people wore a lot during the centennial Olympics He starts checking his mail. His friend 'FAM' sent him something that says 'this is you' with a link. The Boy clicks the link and a video of a woman blowing a horse comes up. The Boy watches the video for longer than you should watch a horse blowing video. He closes the video He goes onto HOTNEWHIPHOP.COM. There's a new Rich Homie Quan song out. It's listed as 'VERY HOTTTTTTT'. The Boy looks in the comment section, reading what people are saying 'This nigga sound like a broke-ass Future! [CRYING EMOJI]' is the top comment The Boy stares. Then types 'fuck u niggers' in the comments He waits. He takes a bite out of his pop tart He refreshes the page. People immediately respond with 'Fuck U', 'You wouldn't say that to my face faggot', and 'LMFAO crackers b crazy' The Boy smiles
..bec a use the in t e rnet
15 YEARS LATER*******[PLAY SONG 'CRAWL' AT THIS POINT]*******
INT. THE BOY'S ROOM - EARLY MORNING The room is an elegant mess. There's shit everywhere, but everything has its place. Classic furniture; someone with old money would invest in, is used for the bed, desk, desk chair. You can see from where most of the trash accumulates that the occupant spends most of his time on the computer There is a pile of stacked and flattened gummy bear wrappers by the desk. There's a picture of The Boy and his father on the boy's desk, along with a flash drive that has 'hackz' written on it. A small vaporizer charges and glows green on the edge. There's a half ounce of weed in a plastic bag to the left of the laptop on the desk There's a black and white Bill Withers poster,a Gorillaz 'Demon Days' poster,and a 'Black Dynamite' poster. All framed. Stacks of records are placed on a shelf lining the wall. There are some old 70's soul records by a record player on the shelf. Norman Connors 'You Are My Starship' is the album on top of the others Little hills of dirty clothes grow up the walls from the floor. Same pile of shoes is there. Wall with same dirty spot. The closet is filled with white shirts and flower shorts. There's one very old and tattered Shearling coat that hangs to the right The Boy (more a man now) is sprawled out on his bed, no shirt and flower shorts. He opens one eye as very faint, dark orange sunlight from the blinds cut his face. He gets up INT. LIVING ROOM - DAY The Buddha statue again. There's empty old beer and Pellegrino bottles on the bar. The entire back of the living room wall is glass. The boy walks briskly to the kitchen INT. KITCHEN - DAY The kitchen is a slight mess. Things left out. S'mores makings left out. The marshmallows are hard as stones. The boy goes into the cabinet and pulls out a pop tart. He takes out a pop tart and throws it in the microwave, wrapper still on (you're not supposed to do that). He starts the microwave and begins texting someone. The microwave is okay for about 5 seconds, then blue sparks start to pop inside. He turns off the microwave, opens it, grabs the pop tart and tosses it on a plate EXT. BACKYARD - EARLY MORNING The Boy walks onto the little island in the middle of the infinity pool lining the oceans and mountains in the background. The mountains are surrounded by clouds. They're literally above the clouds. It's probably raining down there. There's an orchard with lemon and plums to the west of the wall outside, and a green statue of a golfer further in. Bunnies jump on the lawn in the background The boy sits under a sun umbrella, opens the pop tart and starts to eat it. He looks off with his face flat. He gets a text message: FAM: when u wanna paddle out? [PURPLE DEVIL FACE EMOJI] The Boy texts back: pick me up CUT TO: EXT. MANSION FRONT DRIVEWAY - MORNING An old, red (a gross red. a weak red) Mazda rolls up to the front of the mansion and sputters to a stop. FAM, steps out of the car. Daps up FAM: Let's take one of yours THE BOY: Nah FAM: Really, mane? You want us to drive around in my car? I don't think it'll make it, honestly. It broke down at my mom's. Plus.. it looks like my car THE BOY: Right. It's inconspicuous FAM: My nigga, who are you hiding from? It's not stuttin. It's your car. Why do you even care? '..why do you even care?' THE BOY: Aight INT. GARAGE - MORNING The garage door rises to reveal Fam and The Boy's silhouette. Five cars are in the garage. There's a Tesla Model S, Silver 911, some car no one's ever seen, a Tahoe and some car under a tarp. Looks like it could be an Aston Martin. Fam smiles FAM (pointing to the car no one's ever seen): That one- THE BOY: No THE BOY: The Bimmer We didn't even see this one. It's in the far corner of the garage. It's a nice car. Older, but nice and sleek. Understated, to some. Its black paint is chipping in the front. Fam shakes his head FAM: Nah..nah They get in the 911 CUT TO: EXT. SANTA MONICA CONDOS - DAY The 911 pulls up to a nice condo complex. Fam honks the horn for a while. Like a jerk SOMEONE FROM A WINDOW: I work nights, dickhead! FAM: I know. Fuck me, right? Fam honks more The Boy checks his Twitter feed. Twitter name 'You Are Unimportant - @thegoldmolar' You can see from his feed he just trolls all the time. Politicians, athletes, entertainers, etc. His favorite was simply re-tweeting something someone says. When it was dumb enough to just re-tweet, that was his favorite. He'd gotten a lot of followers that way. Written an article once for a blog. Got more followers. He started posting videos of homeless people and fights He was looking for something to retweet on his time-line. People say dumb shit all the time.. ..someone tweeted 'roscoe's wetsuit' '..what's that?' The Boy drops 'roscoe's wetsuit' into Google. A Yahoo answer comes up for it. The answer to 'what is roscoe's wetsuit?' is..'roscoe's wetsuit'. Hilarious SWANK,STEVE,MARCUS (Chance the Rapper),and AJ (STEFAN) walk out of the condo. They have longboards with them and they're eating candy. They stop in their tracks when they see the 911 SWANK (re: boards): How we supposed to get these in there? FAM: You guys take your car STEVE: What about your boards? Where are they? FAM: Can we borrow some? They all make a face SWANK: We need a bigger car then. I'ma drive to your house and get the Tahoe THE BOY: Come on, guys. This is taking forever AJ: Where we going? FAM: Dockweiler MARCUS: I swam into a diaper last time FAM: I'm GRIMEY. I ONLY SWIM IN DIRTY WATERS! YOU KNOW THIS! SOMEONE AGAIN: Shut the fuck up! Fam honks the horn SWANK: I'm drivin that Porsche the way back. I know that shit Swank and Steve walk toward their car parked on the street THE BOY: What's 'roscoe's wetsuit' mean? FAM: I don't know They drive off EXT. DOCKWEILER BEACH - DAY The guys carry the boards through the sand to ocean, making a strange pattern behind them They setup camp and start changing on the beach MARCUS: I thought someone was bringing girls THE BOY: No one wants to get up this early MARCUS: Did you ask white girls? THE BOY: I asked every girl FAM: You a lie. You didn't ask anybody. You don't leave the house STEVE: Why white girls? MARCUS: Cause no one is getting up at 6AM to go into the freezing, dirty ass ocean, fuck up their hair- At that moment, they all notice a girl sitting on her board in the ocean. Waiting for a wave she looks behind her. She is black MARCUS (CONT'D to AJ): See? This is what I mean about Donnie Darko happening to me A plane flies low overhead. (Dockweiler is right next to LAX) MARCUS (CONT'D) (staring at the plane) It's gonna crush me SWANK (re: girl): It's like seeing a mermaid STEVE: Maybe it's a manatee MARCUS (R. Kelly): I'ma flirt Marcus runs to the water with his board. They all follow EXT. OCEAN - MORNING Marcus swims up to the girl on his board MARCUS: Sup GIRL: Hi MARCUS: I'm Marcus SASHA: Sasha MARCUS: It's lookin alright today SASHA (Australian accent): Yeah. It's the only reason I'm out here MARCUS: Oh, you're Australian (pause) You ever seen 'Kangaroo Jack'? SASHA (not looking at him): Yeah MARCUS: Classic SASHA: ..wha? MARCUS (not mean..just serious): It's a fucking classic Silence. Sasha is weirded out. All the guys, except The Boy, swim up STEVE (to Sasha. Out of breath): Hi. Did Marcus ruin it already? SASHA: Yes Steve splashes Marcus Swank takes a plastic bag with four blunts in it. He takes one out. He lights up a blunt. Talks with it hanging in his mouth SWANK: How long you been surfing? SASHA: Ten years. You? SWANK: Bouta month AJ: Cops don't come out here. It's a good place to smoke. You want some? He passes it. She takes a hit SWANK: What you doin tonight? SASHA: My friend's birthday in Santa Monica MARCUS: Yo, we're right around close. We're having a party tonight in a mansion. You should come. And if your friend's a girl or a guy who has weed, they should come too AJ: I'm Djing. I start off with Jodeci, then the switch over to 90's rap using 'Dream Lover' to transition, play ACTUAL ATLANTA TRAP for an hour, hour and a half. Then motown, soul, and house. Girls. Go. Crazy SASHA: What's your DJ name? AJ: Twercules. no 'DJ'. Just Twercules. I got a tumblr where I post my mixes. It's getting pretty popular. I don't know. You sing? Model? Act? SASHA: I'ma go in Sasha starts paddling and catches a wave into the beach AJ: I shouldn't have said 'bitches' MARCUS (thinks): ..you didn't AJ thinks on this. This is probably saying more about him than he realizes EXT. BEACH - MORNING Sasha carries her board onto the beach. The Boy is sitting there SASHA: You goin in? THE BOY: Don't know yet SASHA: Then why'd you put on your wetsuit? ..roscoe's wetsuit THE BOY: Everyone else was SASHA: That's an awful reason She starts walking THE BOY: You should come to the party. It'll be fun. (then) They invited you, right? SASHA: Where is it? THE BOY: [EDIT]. Text me [EDIT] SASHA: I'll remember. I'll bring some friends She walks off Later that day: *******[PLAY SONG 'WORLDSTAR' AT THIS POINT]******* EXT. I-10 - EVENING The guys drive down the highway eating In-N-Out. Head nods all around. Swank is now driving the Porsche. Crazily. Fam is with The Boy and the rest of the guys in the other car. Marcus drops his animal style fries on the floor MARCUS: Fuck FAM: You see you fuckin up this car? THE BOY: It's fine FAM: He's driving crazy. (iphone goes off) And he's textin me The text says: R E C K L E S S FAM (CONT'D): This nigga's so lame The Boy sees a tweet of the lead singer of a boy band tweet 'follow your heart and [HEART EMOJI] all who cross your path!'. The Boy retweets it with a [LAUGHING/CRYING EMOJI] FAM (CONT'D): I gotta stop somewhere first CUT TO: EXT. CLUB - NIGHT [VISUAL] Fam pulls outside of a club. Lots of people are trying to get in. He and The Boy get out and walk to the bouncer, their friend CHEESE. Fam and Cheese dap. The Boy stands on the side next to a line of people trying get in VIP. They look at each other. He is not dressed appropriately to get in Fam and Cheese do that handshake thing they do. Fam walks in Some guys in a black SUV rolls by and yell at the dude next to The Boy MAN IN CAR: Dont let me catch you out here Jay! Don't let me catch you! The Boy watches this for a second. He looks down for a moment.. Someone has spray painted 'roscoe's wetsuit' on the sidewalk. He stares at it MAN IN CAR (CONT'D): I got yours, muthafucka! The Boy snaps out of it. Then takes out his phone and starts recording the fight. Fam walks out and sees the fight in action JAY (I GUESS?): You scared, bitch! That's why you scared! MAN IN CAR: I got something for yo ho-ass my nigga! POP. POP .what's happening? Jay is bleeding from his stomach. The Boy is seeing this through his phone. It takes a moment for him to realize- POP. POP ..run. now Fam is already running. Everyone in the line is screaming and running. The Boy runs COP: Drop your weapon! (these are cleaner and succinct) POP.POP.POP Runs to the side of the building. The SUV that was firing slows down. The driver is dead. Car horn blares as the car slows to a stop, mixing with girls crying and 'oh shit!' and 'fuck'. Jay is very close to dead. The blood on the sidewalk is almost black. A street sign (No parking between 7-9am and 4-7pm) is reflected in the dark blood. He turns to The Boy, looks around. He knows what's happening. He's leaving That was the end. He'll never read this sentence. Or any sentence. He ended earlier. Before this sentence. As far as he knows, before any sentence. He's back to his/the natural state The Boy felt something It's funny, cause this dude is dead. There really isn't a connection..it's more him seeing himself for the first time since- SOME NIGGA: Damnnnnn...! HIS FRIEND: WORLDSTAR! The Boy's phone rings: THE BOY: Yeah FAM: Get in the car The Boy turns and sees the car rolling up to the alley he's hiding in. The Boy runs up and jumps in. They speed off INT. CAR - NIGHT FAM: That shit was NUTS! STEVE: I knew something was about to happen. I knew it MARCUS: Donnie Darko. I'm tellin you The Boy is looking at the footage on his phone. He's got a death on video. It's looped. Over and over The Boy touches his shearling coat..there's a hole in it. Bullet hole? He puts his finger through.. ..i shouldn't be (here) He looks at Fam and Steve. They're talking MARCUS (CONT'D): Bitches high heels everywhere! They ran out they shoes, cuh FAM: BAP! BAP! BAP! Oooow. That nigga lit up The Boy just keeps watching the video FAM: Yo. You got it on video? THE BOY: Yeah FAM: Wow..you caught the end of his journey on video. That's dope. (then) We gotta pic up Doc from the jazz club INT. JAZZ CLUB - NIGHT Fam and The Boy Stand in the back. Doc is on stage playing saxophone with a band. He's doing a solo THE BOY: Does it weird you out that you almost died today? FAM: Not really. I'm not trippin on death THE BOY: I'm not trippin. I'm just sayin, if you think about it, there's no reason for us to be here FAM: Doc be hanging with the weirdest people. Look at these niggas. They all look like James Blake. Is that who likes Jazz now? THE BOY: I was thinking about it and I can't offer anyone anything. Like, my job is tweeting at people. That's my job FAM: That's not your job. You do it cause it's funny. You're rich. We don't have to do anything THE BOY: Yeah. Isn't that sad? FAM: Sad? We are making moves. What about that line me and Swank are gonna start selling? THE BOY: All we did was print shirts for ourselves. Who else is buying that shit? And the whole reason we wanted to make shirts is cause Tre made some and they were dope FAM: I don't know what to tell you. We are doing dope shit. We are making moves. We can do whatever we want- THE BOY: But none of it matters cause we're doing it for ourselves! We're just jerking off for each other. No one in the future's gonna give a shit I made a shirt once FAM: Then don't make a shirt, my nigga JAMES BLAKEY LOOKING DUDE: Shhh! The Boy fiddles with the hole in his jacket INT. MANSION - NIGHT All the guys walk in with plastic bags from the grocery store. They have blue cups, alcohol, s'more fixings, and gummy bears If I was the director, I'd have everyone walk in in slow motion into the house with 'Nosetalgia' by Pusha T playing Walking into bedrooms. Opening drawers. Pulling out bags of weed CUT TO: AJ walks into his large closet. Pulls out a bowl. There are some prescription bottles there too CUT TO: A naked Marcus steps out of the shower and goes in his closet and pulls out some condoms CUT TO: Fam is meditating in the center of his bed. He's floating off the bed by about 4 inches
RAP GENIUS NOTE: This is the end of Part 1, continue on at Part 2
Childish Gambino continues with the creative promotion of his forthcoming release, adding a cinematic element to the LP with a screen play also titled Because The Internet. Last night, the MC revealed the accompanying screen play for the album via becausetheinter.net. According to Gam, the script is a follow up to the previously released Clapping For The Wrong Reasons (below) and will sync with the album. The central character of the 75-page script is 'The Boy' (played by Glover). His father is played by Rick Ross and his homeboy is Chance The Rapper. The script’s acts or scenes correspond to each of the album's tracks.
Check out the prelude, below, and the screen play after the jump. Because The Internet hits shelves and iTunes, December 10.
Peep the entire script, HERE.
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